1. All appeals by the defendant (consolidated plaintiff) are dismissed.

2. The costs of appeal shall be borne by the defendant (consolidated plaintiff).

1. Basic facts

A. 1) The Plaintiff is a company running the business related to the dissemination of digital consular system. The Defendant is a company running the business related to the production, investment, distribution, etc. of movies and other video works, and the film “26 years” (hereinafter “instant film”).

2) The Plaintiff produced and distributed each share of 1/2 of the Plaintiff’s parent company of the Plaintiff, who is called “CJGV” (hereinafter “CJGV”) and “CJGV” (hereinafter “CJGV,” and “CJGV,” respectively. The Plaintiff’s parent company of the Plaintiff owns one-half of the shares. The lot shopping operates a lotl shopping, and CJGV operates a lotl shopping, and CJGV operates a lotl shopping, respectively.

B. Discussions for transition to digital cinema and introduction 1 of a VPF business model) under the circumstances where the introduction of digital cinema facilities is accelerated global, each country is promoting the introduction of a digital cinema screening system in a different way depending on its own circumstances. According to the research published on March 16, 2009 at the Korean Film Film Policy Research Team, according to the research published on March 16, 2009 at the Korean Film Council’s research and development team, the 7rd Round in the U.S. case is Virtual costs (hereinafter “VPF”).

) In the form that a distributor develops a business model and bears a substantial portion of the investment cost of the digital system, the distribution of digital cinemas is promoting the distribution of digital cinemas in China, and in the case of China, active support policies are implemented at the government level. In the case of England, the UK is promoting the Korean Film Council (in the initiative of the UK Ftilcil, promoting the digitalization of approximately 250 screeners across the country, and in the case of France, it is integrated to convert the digital cinema of the small independent theater in the case of the independent theater, the Union of the independent theater producers, which account for about 50% of its screen.